Deserts have been a part of the RPG scene and world design since the early days of the hobby. They’re fantastic locations for adventure, offering environmental and physical challenges outside of the norm offered by the temperate/cool temperate European coded base locations many games use as their “core” setting. But this hasn’t been without challenges or pitfalls, so this world building post is all about diversifying your deserts!Read more
Category Archives: Uncategorized
There’s some definite misunderstandings around rules-lite RPGs, the main one being that they’re only good for one-shots or short campaigns. This is untrue and has been since 1974. Yes, there’s absolutely games that are built around being one-shots; and many of those are definitely rules-lite. But OD&D was very rules-lite and there are still people playing long-term campaigns based on it, so what are some modern options? This is my in no particular order top three rules-lite indie RPG list!Read more
In 2009, after being abandoned by Wizards with the end of 3.5e D&D, Paizo Publishing released Pathfinder. In 2019, they launched Pathfinder 2nd Edition; and unlike its D&D origin, Pathfinder focused on a single world, Golarion. Golarion was everything that Wizards now says doesn’t work for a campaign setting. It has a detailed history. It drips lore. There are canonical results for things. And the fans love it. The new edition carries this forward, with the Lost Omens series of books that add more detail to the setting and bring it howling into the 2nd Edition. Last fall, Paizo was kind enough to provide me with an electronic copy of Lost Omens: The Mwangi Expanse. I’m done reading it now, so let’s dig into this book!Read more
With the return of Windows to my life, new gaming opportunities have arisen again. Combine this with the annual Steam sale and having a few dollars to burn, it was time to try a game that my buddy had been pestering me about for ages. Darkest Dungeon.
That was the thought that tore through my mind when I saw the posters for “Gods of Egypt”. In typical fashion, the movie houses involved and casting decisions had placed the vast majority (five of six) of roles in the hands of white actors and actresses, with a token Black actor as Thoth. Coming rapidly on the heels of the Noah and Exodus, films lambasted for their whitewashing, this film carries on the long tradition of making POC white. I’ve talked about this in the past, and the problem remains as much as it ever has, but why, even with so much outcry?